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Craft Strong Secondary Characters: interview & giveaway

Speechless

After reading Adam P. Schmitt’s debut middle grade novel Speechless, I was… speechless. No, really. I was. Seriously. Toward the end, through a secondary character named Sofia, Schmitt crafted an unexpected turn, and I marveled at the story’s depth. (No spoilers here. You’ll have to read it!)

I loved this novel, so I went looking for Adam and begged for an interview. Turns out, I didn’t need to beg. He said, “Sure!” And that means—lucky you! One reader will win a copy of Speechless. Hop to the end of this post to enter the giveaway, then come on back to hear how Adam crafted such a great book. Deadline to enter: Tuesday, April 30, 2019, at 11:59 PM.

Adam, welcome to my blog! I’m so glad you could share some thoughts about craft.

Adam P. Schmitt: Thanks for tracking me down.

ABW: I want to ask about the wonderful secondary character, Sofia, but we’ll get to her in a minute. Let’s start with the unusual setting and comic voice. Most of Speechless takes place in a funeral home. Even though a kid has died, you manage to make the story funny. So here’s my question: the book jacket reveals that you got the story idea while attending the funeral of a former student. Was humor a part of your initial idea, or did you work in the funny parts later? (If I were to ask your students if you’re a funny teacher, would they say YES?)

APS: Oh, yes…humor was always going to be in the mix. I knew this was going to be a heavy-ish book for the middle grade audience and it was very important to me that the book had balance. I also wanted to reflect what I think happens at so many wakes—joy. While there’s obvious grief, there’s so often happiness and even laughter when families and friends are reunited. I think it’s important to feel comfortable being happy to see people you care about, even in that setting.

ABW: Good point. Visiting with family and friends is a huge part of what happens when someone dies.

APS: And yes, my students would probably say I’m funny. At least, that’s what I tell myself. Especially when I’m the only one laughing.

ABW: Hahaha. I had a sense I was going to enjoy this interview!

Okay, next question. The protagonist is an eighth grader named Jimmy and the Table of Contents is his list of what he is “about to learn,” including gems such as “Poor social skills can get amplified.” Almost every chapter opens with Jimmy and the body of his cousin Patrick in a casket nearby, then shifts to a memory of a disastrous (often funny) moment Jimmy endured with Patrick. When you first started writing, did you know you’d structure the novel this way (alternating between funeral home and flashback), or did the structure and chapter titles come later, during the revision process?

APS: I always knew the story would follow that structure. With the entire story taking place at a funeral home where people stood around and talked, I knew I needed to balance that with action the reader could follow. So each flashback was designed to be its own little story that could almost stand on its own. In the funeral home, it’s Jimmy’s show. But in the flashbacks, he becomes the narrator of Patrick’s life.

The chapter titles came a few revisions in. I always felt that wakes were uncomfortable for anyone, not just kids. The grieving part is expected, but it’s the other emotions and personalities you can’t predict. Those chapter titles were my cliff notes guide for anyone going into a wake for the first time.

ABW: That’s great. While reading, I wasn’t thinking about the flashbacks standing on their own, but I see that now. The structure works really well.

And the way you’ve created suspense works well, too. First we learn that the button on Jimmy’s pants will pop at any moment. Then there’s Mom telling Jimmy he’ll have to get up and speak during the memorial, leaving him fretting over what to say. Meanwhile, we turn pages to learn how Patrick died. Which of these plot elements came to you first, and which did you weave into the story later?

APS: Jimmy giving a eulogy came first. That was always going to be the plot. But I truly didn’t know what Jimmy was going to say until I started writing the end. Patrick’s death was something I wanted to keep from the reader for a bit. I wanted Speechless to be about Patrick’s life, and not talking about his death for a while helped me keep that focus. The pants almost popping came in later drafts. That was simply a product of my opening page being weak. I changed the first paragraph and it ended up being a great thread for Jimmy through the wake scenes.

ABW: It’s an excellent thread. I kept waiting for those pants to fall.

Now, let’s get to the secondary character who stole my heart. Tell me about Patrick’s sister, Sofia. She plays a rather small part in much of the novel, but eventually surfaces in a big way. Can you tell us a little about your process in crafting her? She’s deaf, and I’m wondering whether she was part of your initial idea for Speechless, or did her role get larger during the time you spent writing?

"She's the soul of the book."

APS: Her role definitely got larger. She’s the soul of the book. I always wanted Patrick and Sofia to have a special bond, but it would be overlooked with everything else going on. I wanted a character who could at the same time be invisible, yet command a room. I was very lucky how Sofia came to life on the page. It’s as much her story as Jimmy’s or Patrick’s.

ABW: It really is her story. Sofia is a huge part of the unexpected turn I mentioned earlier. I particularly love the way her key scenes bring a nuanced meaning to your title. “Invisible yet commanding a room” is a description that sums her up perfectly.

Although I’ve focused on your treatment of Sofia, I should also say that by the end, I’d come to care about and understand a whole slew of characters, including parents, grandparents, and Patrick. And I have to add that the scene with the deaf community is priceless.

APS: That was the hardest scene for me to write. I wanted to show how tight her community was, but also respectfully represent them. I had the help of sensitivity readers for that scene. My editor really pushed me on that one, and it’s now my favorite part of the book.

ABW: Well, it’s a gem. What about writing some of the other scenes? Which were the easiest for you?

Happy 4th of July

APS: Some of the flashbacks were easier to write than others simply because the action was clearer to see. The scene at Grandma’s 4th of July party, and the incident with the sisters and their dog… those might be the only two that were largely untouched from the first draft.

ABW: That’s some really good first-drafting! I don’t think I’ve ever written a scene that has remained “largely untouched” from its first version. (In this blog, I’ve rambled many times about my messy writing process!)

What’s next for you? Do you have another novel coming out any time soon?

APS: I am working on something new, but it’s early in the drafting stage. I’m still getting to know my characters, but I really like where they’re taking me. It’s another middle grade fiction based in realism.

ABW: Great. I look forward to reading it. And I want to thank you again for doing this interview. I love to hear authors talk about their writing process.

APS: Thanks. I really enjoyed your questions.

ABW: Readers who want to know more about Adam P. Schmitt can check out his website and find him on Twitter and Instagram. If you do check him out, be sure to let me know in the Rafflecopter (below). Each social media visit earns you a chance to win a copy of Speechless! (You can visit multiple times, each on a different day, and log multiple entries.) Rafflecopter will choose a winner on May 1, so be sure to enter by Tuesday, April 30, at 11:59 PM.

 

a Rafflecopter giveaway

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Collaboration: Do’s, Don’ts, and a book giveaway

Last year I asked a friend if she’d collaborate with me on a novel, and she didn’t say YES right away. She tilted her head and thought for a moment, clearly trying not to frown. “I don’t know what this collaboration would look like,” she said, and I said, “Me, neither! We’ll have to make it up as we go along.” Now three months and three chapters into the story, we’re making up lots of stuff. This is the fun stage.

But what if we disagree over the way the story should progress? What happens when we have to revise? I started wondering how others have made collaborations work.

Every Shiny ThingAnd that led me to co-authors Cordelia Jensen and Laurie Morrison. Their novel, Every Shiny Thing, came out from Amulet Books earlier this year. It’s a great read—heartwarming and authentic—and I asked them to share some Do’s and Don’ts and tips about collaborating. They said, “Sure!”

But before we get to the interview, hey, I’m giving away one copy of Every Shiny Thing! Hop to the end of this post. to enter the giveaway, and come back for the interview. Deadline to enter: Tuesday, Sept. 18, 11:59 PM.

A. B. Westrick: Welcome to my blog, Cordelia and Laurie!

Cordelia Jensen & Laurie Morrison: Thanks for inviting us!

ABW: I want to pick your brains about writing Every Shiny Thing. Help me out! I hope my colleague and I can craft a novel as engaging as yours.

Let’s start with your process. You’ve told the story in alternating points of view, and I know from other interviews that Cordelia wrote Sierra’s chapters and Laurie drafted Lauren’s. Did you ever deviate from that set-up? Did you edit each other’s drafts, and if so, how did that go? If one of you read something in the other’s writing that didn’t sit right with you, did you phone? Email? Text? Make a comment in the margin of your shared Google doc? Continue reading

Kill your Darlings: author interview and book giveaway

Now a Major Motion PictureIs passion just an obsession with something you can’t seem to get better at, or is it the very thing you can get better at?

“Courage is simple. First, be honest. Second, don’t back down.”

These themes are two of many in Cori McCarthy’s latest YA novel, Now a Major Motion Picture, alternately funny, sad, wise, rich, and heartwarming. What a great read. And I’m giving away one copy! Hop to the end of this post. to enter the giveaway, and come back to read my interview with Cori. Deadline to enter: Wednesday, Aug. 22, 11:59 PM.

I met Cori on my first day at Vermont College of Fine Arts, and since then Cori’s writing career has soared. This is their fourth published YA novel, and along with partner Amy Rose Capetta, Cori has two books coming out in 2019 and 2020. Cori also writes poetry, has a picture book hitting shelves in 2021, and is now on the faculty of the MFA program at our alma mater. It’s an honor to interview Cori for my blog.

A.B. Westrick: Welcome, Cori.

Cori McCarthy: Thank you! It’s my pleasure to be here.

Breaking SkyABW: Let’s talk craft! I just loved Motion Picture, and I want to start with the unique setting. Seventeen year-old Iris is behind the scenes on a movie set where her grandmother’s novels are being adapted for the big screen. How did you come up with this setting? Is this an example of “write what you know”? I’m aware that your novel Breaking Sky is being made into a movie; did you write this novel after glimpsing some of that production? Continue reading

Hear the Character’s Voice: Interview & Giveaway

Just Like JackieWhat a great debut from Lindsey Stoddard! When I read Just like Jackie, I couldn’t wait to feature Lindsey and her writing on my blog.

In addition to doing this interview, I’m giving away one copy of Just like Jackie! For a chance to win, hop to the end of this page and fill out the form. Then come back, enjoy the interview, and glean some craft-of-writing insights. What Lindsey says about hearing a character’s voice is a fabulous tip. Deadline to enter the giveaway: July 25, 2018, at 11:59 PM.

I first met Lindsey at Vermont College of Fine Arts. Back then she was teaching middle school (my all-time favorite age group) while drafting stories and working on her MFA. She now writes full time, or as full as she can with two little ones in tow.

A. B. Westrick: Lindsey, welcome to my blog!

Lindsey Stoddard: Hello from Vermont!

ABW: Ah, Vermont… I’ll bet it’s gorgeous in New England right now—best place on earth in the summer. I guess maple syrup season is awesome, too, but we’ll get to that in minute.

First let’s talk about your feisty and oh-so-lovable heroine, Robbie. I read in your interview at Through the Tollbooth that part of your writing process involved channeling your anger as a child. Robbie’s anger comes through with honesty, and my question is: how much are you and your protagonist alike? Did you have to learn anger-management techniques like she does in the novel? Were you also a regular in your guidance counselor’s office? Where does the real Lindsey end and the fictional Robbie begin? Continue reading