Tag Archives: Lamar Giles

Writing Outside Your Culture (& Book Giveaway)

One Shadow on the WallWhat a wonderful new book for middle grade readers! Leah Henderson’s debut novel One Shadow on the Wall took me deep into a Senegalese village and the story of Mor, a boy who desperately wants to keep his family together. Even though the setting is foreign (at least, it is for American-born-and-bred-me), the plot is the stuff of human experience: the struggle to stand up to a bully, the desire to prove oneself and make a difference, the love of family and home. It’s such a heartwarming story, I had to catch up with the author for a blog interview!

I met Leah at the 2016 SCBWI Mid-Atlantic conference in northern Virginia, ran into her again at the AWP conference in D.C. in early 2017, and attended her book launch party on June 6th in Richmond where YA author Lamar Giles hosted an insightful Q&A. Too fun!

Now I have a signed copy of One Shadow on the Wall here in my hot little hands, ready to give away to a lucky reader.

A.B. Westrick: Leah, welcome to my blog!

Leah Henderson: Thank you so much for asking me to stop by.

Goodreads Book Giveaway

One Shadow on the Wall by Leah Henderson

One Shadow on the Wall

by Leah Henderson

Giveaway ends August 31, 2017.

See the giveaway details
at Goodreads.

Enter Giveaway

ABW: I’d love for you to share a bit about your journey to write this story. Let’s start with the unique setting, Senegal. You give readers a glimpse into the people and culture of this “land of teranga (hospitality).” I especially loved the way you wove foreign words into the narrative. Jërëjëf (thank you)! In your author’s note, you talk about your travels. Please say more! When did you first journey there, and why Senegal?

LH: I have an insatiable travel bug, and before writing the novel I had been to Senegal only a couple of times. It is a place with a rich history and it had always been on my “Pack a bag” list that is miles long! Read More

Signed Books Motivate Me to Keep Writing

I buy oodles of books. They pile up on shelves, and on a wide windowsill beside my writing desk. They collect dust in stacks on a braided blue rug, and from time to time I clean them off. Every year we donate one or two boxes worth to a library sale, clearing space for new reads. But I can’t bear to part with any of the books that authors have signed to me. To me.

 

These pictures show only some of the many signed YA and middle grade titles in my collection. I also have a slew written for adults—nonfiction, poetry, memoir, mystery, thrillers, and literary fiction. I’d like to say I’ve read them all, but the truth is that some sit in my to-be-read stack (which got three books taller after last week’s RVA Lit Crawl. Richmond, VA, is a great town in which to be a writer. Have I said that before? Yeah.) Read More

So This is Voice

 

 

I’m big on beginning novels in media res (in the middle of things), meaning jumping into a scene before explaining who’s who or what’s what, no back-story.

But if you insist on starting with a character who talks to the reader, do it well. Make it fresh. Aspire to do it the way Lamar Giles does in Endangered. He’s mastered this sort of opening. Here are some of the lines in his first chapter:

 

 

      I’ve haunted my school for the last three years.
      I’m not a real ghost; this isn’t one of  those stories. At Portside High I’m a Hall Ghost. A person who’s there, but isn’t…
      Jocks don’t bump into me, and mean girls don’t tease me, and teachers don’t call on me because I don’t want them to. Hiding in plain sight is a skill, one I’ve honed. My best friend, Ocie, calls me a Jedi ninja, which is maybe a mixed metaphor and redundant. But it’s also kind of true…
      We’re all something we don’t know we are…
     

      My target is stationary, in a parked car, one hundred yards away. A quick lens adjustment turns her face from fuzzy to sharp despite the darkness. An easy shot. Which I take.
      Keachin Myer’s head snaps forward, whiplash quick.
      I shoot again.
      Her head snaps back this time, she’s laughing so hard. Odd, I was under the impression the soulless skank had no sense of humor…
      I rub my tired eyes, and switch my Nikon D800 to display mode… Keachin—rendered in stark monochrome thanks to the night-vision adaptor fitted between my lens and my camera’s body—belly-laughing at whatever joke the current guy trying to get in her pants is telling. Basically, Keachin being what everyone in Portside knows she is. Rich, spoiled, and popular. Nothing the world hasn’t already gleaned about this girl. Nothing real.
      I intend to fix that. If she ever gives me something good.
      Keachin Myer is as clueless about what she is as anyone else. And being unfortunately named is not the part she’s unaware of. If you let her tell it, her parents strapped her with such an ugly handle because, well, she couldn’t be perfect, right?

 

Maybe a mixed metaphor and redundant… An ugly handle. This is smart writing—tight, engaging, real. And I’m thrilled that the author is here to share his process in crafting such a compelling voice.

Lamar Giles burst onto the YA fiction scene last year with Fake ID, a finalist for the Edgar Award. He’s a founding member of the We Need Diverse Books campaign, and now has multiple contracts with HarperCollins and Scholastic for forthcoming books. The guy is so busy writing, he couldn’t do this interview when I first asked. I had to wait a few months.

A.B. Westrick: Lamar, welcome! And thank you for taking time away from fiction-writing to tell us a little about your process. I read Endangered in two days—it’s the classic can’t-put-it-down.

Lamar Giles: Thank you for having me! I’m glad you found ENDANGERED unputdownable.

ABW: So let’s start with that voice. Would you talk a little about where it came from? What was your inspiration for this character, who goes by Lauren… or Panda… or Gray, depending on circumstances? Continue reading