Tag Archives: J.K. Rowling

Know your Ending

Once when I was young and read a novel with a fabulous twist at the end (I’ve forgotten the book, but I recall its effect), it hit me that the writer had to have known the ending all along. He’d planted clues throughout, but as a reader, I hadn’t put two and two together until the end, and when I did, wow. The story blew me away. Remembering the title would be a bonus here, but my point is that on that day, although I was only in elementary school, my wow moment had to do with craft.

Shortly after recovering from that wonderful wow, I recall that I felt sorry for the author. Poor thing. When you know your ending up front, doesn’t it spoil the story? Doesn’t it ruin the enjoyment of reading it? Of writing it? And when I realized that all authors would have to know their endings while writing their beginnings, I felt sad for them. Why would anyone want to become a writer? Continue reading

Read Your Draft Out Loud

I emailed a new novel to my agent two days ago. Done! Finished. At least for now. If she deems it saleable (with this one, at times I’ve wondered), she’ll want revisions, and so will my editor. All good. It’s part of the process. But for now that baby is off my plate. In their ballpark. I’m doing the happy dance, enjoying the luxury of every long exhale. Pfew.

The last thing I did before I hit SEND was read it out loud. A whole 300+ pages worth. It took days. My mouth went dry. I thought the exercise would be fairly quick and would result in a tweak here or there. But…

Wait. That line didn’t say what I wanted it to say. Wait, the cadence stopped flowing there. Too clunky. Wait, that paragraph didn’t follow from the one before it. Wait. I just used that word, so I can’t repeat it. Wait. If I were browsing books at my local indie, I wouldn’t keep turning these pages. Ahhhhh!

Reading the manuscript out loud was exactly what the draft needed. I ended up restructuring the whole novel. I now have a different opening scene (easy to do in Scrivener, just saying), but the new opener caused other chapters to fall away. It also meant my ending needed work because the new opener set up the protagonist’s conflict with his dad in a way that the previous one hadn’t. What began as a quick read-through of a manuscript I’d thought was finished turned into three weeks of revision.

It’s amazing what you hear when you read a manuscript out loud.

How can a piece sound so different out loud? Why doesn’t my brain pick up on the flaws during SSR (silent, sustained reading)? Years ago my nephew was diagnosed with an auditory processing problem, a diagnosis that helped my sister understand his style of learning (or his struggle to learn). Spoken language is just so different from the written word. Our brains process sound differently from the ways our eyes process text.

We all get the value of reading poetry out loud, but writers of novels don’t necessarily appreciate that prose can come across differently when spoken. I’m no expert in why there’s a difference. But I’m glad that I used my ears to detect what my eyes couldn’t. So much for rushing the manuscript to my agent. So much for rushing at all.

I’ve heard that J.K. Rowling apologized to her readers, saying she hadn’t been able to shorten the last few books in the Harry Potter series because she didn’t have time to edit them. The market was calling, and what the market wanted, the market got. Oh, to have Rowling’s problems, right? But for the rest of us—those with no pressure from the market—slowing down enough to read a manuscript out loud, start to finish, matters. Promise. (Cross my heart and hope to die, stick a needle in my eye.) Read your manuscript out loud and you will hear it anew.