Tag Archives: Cori McCarthy

Kill your Darlings: author interview and book giveaway

Now a Major Motion PictureIs passion just an obsession with something you can’t seem to get better at, or is it the very thing you can get better at?

“Courage is simple. First, be honest. Second, don’t back down.”

These themes are two of many in Cori McCarthy’s latest YA novel, Now a Major Motion Picture, alternately funny, sad, wise, rich, and heartwarming. What a great read. And I’m giving away one copy! Hop to the end of this post. to enter the giveaway, and come back to read my interview with Cori. Deadline to enter: Wednesday, Aug. 22, 11:59 PM.

I met Cori on my first day at Vermont College of Fine Arts, and since then Cori’s writing career has soared. This is their fourth published YA novel, and along with partner Amy Rose Capetta, Cori has two books coming out in 2019 and 2020. Cori also writes poetry, has a picture book hitting shelves in 2021, and is now on the faculty of the MFA program at our alma mater. It’s an honor to interview Cori for my blog.

A.B. Westrick: Welcome, Cori.

Cori McCarthy: Thank you! It’s my pleasure to be here.

Breaking SkyABW: Let’s talk craft! I just loved Motion Picture, and I want to start with the unique setting. Seventeen year-old Iris is behind the scenes on a movie set where her grandmother’s novels are being adapted for the big screen. How did you come up with this setting? Is this an example of “write what you know”? I’m aware that your novel Breaking Sky is being made into a movie; did you write this novel after glimpsing some of that production? Continue reading

In Search of Perfect Sentences

Through the Osher Institute at the University of Richmond, from time to time my friend, Jan, teaches a class called “In Search of the Perfect Sentence.” Isn’t that just the best title?! I spend nearly as many hours reading as I spend writing, and often when I encounter a gem of a sentence or paragraph, I’ll pause to savor the words. Some stun me with their beauty or mesmerize me with their cadence, or just plain make me smile. And always, these writers challenge me to dig deeper to hone my craft.

From character-driven plots to organic settings and realistic dialogue, good books take so long to write that, come on, isn’t it nice when someone notices the effort? Here are a few of the awesome efforts that have recently kept me turning pages. In some cases, I’ve paused to read lines out loud. Try it. Try reading your own writing out loud. Does it flow? Will a reader pause and marvel at your word choice? Your phrasing? Your voice?

From Justin Torres‘ 2011We the Animals debut, We the Animals, which sings with a cadence all its own: “We wanted more music on the radio; we wanted beats; we wanted rock. We wanted muscles on our skinny arms. We had bird bones, hollow and light, and we wanted more density, more weight. We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more.”

 

From Sheila Turnage‘sThree Times Lucky Three Times Lucky, in which the language is real and funny and compelling: “Already I didn’t like him. Didn’t like the starch in his shirt, or the crease in his pants. Didn’t like the hook of his nose, or the plane of his cheekbones. Didn’t like the skinny of his hips, or the shine of his shoes. Mostly, I didn’t like the way he didn’t smile.”

 

From Virginia Pye‘s debut,River of Dust River of Dustjust out from Unbridled Books, in which the beautiful ending still haunts me: “As she continued to study him, a humming began in her head: a slight bothersome background murmur that was not altogether a noise but could grow to become one if she was not careful.”

 

From Robert Goolrick‘s debut, End of the Worlda memoir, The End of the World as We Know It, in which he plays with phrases in a most delicious way: “Now people wiped away tears when they imagined her sitting there again, so witty and pretty and chic, the way she had been before it all, or not before it all, but before it all got out of hand.”

 

From Louise Hawes‘ retellings Black Pearlsof fairy tales, Black Pearls: A Faerie Strand, in which classic characters from Rapunzel to Sleeping Beauty—characters we’ve taken for granted and thought we already knew—reemerge with cunning and complexity: “Yet clear as a stone dropped in a still pond, loud as the call of geese across the sky, I heard the music of my own heart. It played a stream burbling in the shade of apple trees, and the warm, solid thrum of waking bees.”

 

From Cori McCarthy‘s Color of Raindebut, The Color of Rain, in which she crafts the dystopian setting so organically that it’s oh-so-easy to suspend disbelief: “High above us, silver starships hang in invisible parking spots like stars lured too close to earth. Some are as large as skyscrapers while others are only big enough for a captain and crew, but they all gleam with blue light, the pulsing proof of their mighty engines… Engines that run the Void and weave between the stars. I’ve always been drawn to that blue…”

 

I’ve always been drawn to words and stories so perfectly crafted that the room I’m sitting in—or the airport or the screen porch or the treehouse—falls away and the literary magic transports me to another place. Ah, the encounter with perfect sentences…