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Traveling through Time: Cold Summer

Cold SummerI met Gwen Cole two years ago at a fun author event (thank you, Richmond Public Library, for supporting YAVA -Young Adult Virginia Authors!), and really enjoyed her time-traveling teenager Kale Jackson. Cold Summer came out last year, and Gwen is here on my blog today for a little Q&A. Cold Summer: Debut novel. Time travel. Teen crush on the next-door neighbor. Summer romance. What’s not to love?

But before we get to the interview, congratulations, Gwen, on the release of your second novel, Ride On. I hear that it’s coming out Tuesday, May 22, from Sky Pony Press. Two novels in two years! Fantastic.

And I love that you’re doing a pre-order giveaway! Hey readers—May 21 is the deadline to sign up for swag: postcards, bookmark and a signed bookplate. Take a moment to sign up, then come on back. Hop to the end of this interview for more about Ride On, and keep reading here for our Cold Summer Q&A. We’re gonna talk time travel…

A.B. Westrick: Welcome to my blog, Gwen!

Gwen Cole: Great to be here!

ABW: Cold Summer is a fun story, and I want to start by asking about your favorite reads. Have you always been a fan of time-travel books? [Why the hyphen? See my *Note to grammar geeks.] Did you begin Cold Summer knowing it would be a time-travel story, or did it morph into that along the way?

Ride-On pre-order giveawayGC: At first, Cold Summer was just a fun summer book, but then I got bored with it. I knew it needed something more, and during that time I was really into watching the HBO miniseries, Band of Brothers. That show helped me figure out exactly what I wanted to do.

I’ve actually never been a fan of time-travel books because most of them are usually too complex with the time-travel aspect. So I knew I wanted my time travel to be easy to understand. But I’ve been a fan of time-travel movies, like The Time Traveler’s Wife and Back to the Future.

ABW: I’ve also thought many time-travel stories were incredibly complex. Even stories written for kids, such as Rebecca Stead’s When You Reach Me. I had to re-read that one twice in order to understand what was going on!

I’ve noticed that in time-travel books, writers seem to have a variety of rules for the road—triggers that cause characters to shift from one dimension to another, how time passes while they’re traveling, whether the characters’ clothing stays on, etc. In Cold Summer, the time-traveling character often smells like winter, and I love that he does. How did you decide on shivering as one of the markers that Kale Jackson would soon time travel?

GC: One of the first images that came to me for this story was of Kale in the middle of summer wearing a hoodie and being cold. I liked that this trigger was something that could be seen in the normal world and yet not be obvious to people who don’t know his secret. Shivering is a normal human reaction, but for Kale, it’s something he tries hard not to do because he’s trying to avoid time traveling. There’s a scene in the book when Kale is at the grocery store in the frozen food department, and just feeling that cold air from the refrigerator almost sets him off. I can’t imagine how he deals with winter. 😉

ABW: Oh, right. This would be a whole other story if you’d set it during the winter! Haha. Did you have to do research for the novel? If so, can you share a detail you didn’t know before you started writing, then added to the manuscript?

Gwen ColeGC: All my research had to do with WWII, for obvious reasons, but I went into this book knowing I didn’t want it to read like historical fiction. I didn’t want too many details bogging down the pace. I wanted a character-driven story, and for that, I focused on what Kale would being feeling, emotionally and physically. I also wanted a certain feel to the chapters while he was in the past. But as for research, a few of the things I had to learn about were WWII guns and what medics would carry with them.

ABW: You definitely succeeded in making the story character-driven and not bogging readers down in WWII details. Now, tell me about the secondary characters, especially the adults in the story. The mothers and aunts are either dead, widowed, or divorced and living elsewhere. The co-protagonists are teenagers—a girl and a guy—who interact mostly with the guy’s father and the girl’s uncle. It totally works. I’m just wondering if there was a reason why you chose to keep adult women characters pretty much off-camera.

 GC: This is a great question, but one for which I don’t have a good answer! For some weird reason, I always have the fathers and uncles present (even in other books). I have a wonderful relationship with my mother, so I can’t really pinpoint why that is. Maybe something I’ll have to be mindful of or think about for future books. But for Cold Summer, Uncle Jasper was one of my first characters, and he came naturally into the story as the “father figure” in the lives of both of the protagonists.

ABW: Right—both protagonists. So far we’ve only talked about Kale, the one who time travels. I enjoyed getting to know Harper, too, and I liked the way you developed their relationship. A neighbor-next-door romance but with the complication of time travel. Nice.

I’m curious about the editing and revision process you went through. (I assume you had to make some revisions along the way, but correct me if I’m wrong.) What was your experience with your editor like? What sorts of changes were you asked to make before the manuscript was ready for publication?

GC: I love my editor at Sky Pony, and I was so happy to work with her again on my newest book, Ride On. Nicole had great thoughts on ways to strengthen the story and also scenes I could cut. But because this was the book I queried with, and I’d edited it with my agent before submission, it was in pretty good shape to start with, so the edits Nicole wanted weren’t too heavy.

ABW: That’s great. Did you always plan to write fiction?

GC: Oh definitely. Fiction has been my favorite to read and write my whole life. There’s just nothing else like diving into a book and discovering a whole new world. And I’m beyond lucking to be the one writing those worlds. I just want to write books people enjoy reading.

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Ride OnABW: And you do! And you have Ride On coming out May 22. What can you tell us about it? 

GC: Ride On is my futuristic western. Something like True Grit meets The Book of Eli.

ABW: Ha! Oh, I love that. Publishing pros are always asking for comparable titles and mash-ups, and your image here is great.

GC: I had so much fun writing this book and I hope everyone enjoys it just as much when they read it. Here’s the summary: 

In the near post-apocalyptic future, the skies are always gray and people are constantly searching for the sun. For teenage outlaw Seph, it’s the only world he’s ever known. With his horse, his favorite pistol, and his knowledge for survival passed down from his dead father, Seph knows it’s safer to be alone. But after a run-in with a local gang that call themselves the Lawmen, and having been wrongly accused of murder, Seph teams up with Avery—a determined girl whose twin brother has been taken by the same gang.

After living in a small, rundown town her whole life, Avery knows nothing of the Wild—the lands controlled by nobody where travel is risky. With Seph’s help, they track down her brother but quickly find the tables have turned and they are now the ones being hunted. With rumors of mysterious dangers to the south and a safe sanctuary to the west, they’ve only got one option, but getting there won’t be easy with the Lawmen on their trail. The only thing that matters in the Wild is how fast your trigger hand is, but Seph doesn’t know if his will be fast enough to save them all.

ABW: Save them all. Excellent. I look forward to reading.

Chop Suey Books logoBOOK RELEASE!:

If you’re in the Richmond, VA, area, stop by Chop Suey Books, 2913 W. Cary Street, at 6:00 PM on Tuesday, May 22, to meet Gwen and get a personalized copy of Ride On (plus giveaway swag)!

If you want to know more about Gwen and her books, check out her website, and look for her on Facebook, Twitter, Instagram, and Wattpad.

*For Grammar Geeks: My rule of thumb for hyphenating “time travel” was this: no hyphen as a noun or verb; yes hyphen as an adjective. Whattaya think? Agree? Disagree?

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Be Open to Rewriting (& Book Giveaway!)

Lily's MountainThis month I visited Alaska’s Denali National Park—not in person, but in prose—when I read Hannah Moderow‘s debut novel Lily’s Mountain. From grizzly bears to swarms of mosquitoes, frigid streams, rustic outhouses, a run-in with a porcupine, and a deep crevasse in the ice, the story takes readers on Lily’s quest to find her missing mountain-climbing, Scrabble-playing father. It’s a great read!

And today, in honor of bringing Hannah to my blog, I’m doing a BOOK GIVEAWAY! Scroll to the end of this interview for details on winning a copy of Lily’s Mountain and ALSO a book I mentioned in last month’s post: Get a Grip on Your Grammar by Kris Spisak.

A.B. Westrick: Welcome, Hannah!

Hannah Moderow: Thank you for having me, Anne. I think back so fondly to our days together as students at Vermont College of Fine Arts.

ABW: I loved meeting you at VCFA, and I can’t believe it’s been seven years since we graduated. Feels like yesterday. And look at us now—still geeking out over the craft of writing!

So tell me about the poem by Robert Service that you included in Lily’s Mountain. Talk about grounding readers in the setting! His words really drew me in:

Robert Service poem

What an engaging, lyrical poem. And my question is about your decision to have Lily remember this poem as her dad’s favorite. Did you plan to include the poem from the get-go? Was it in your first draft of the story, or did it emerge in a later draft? Continue reading

Grammar and Usage and Pie, Oh My

Things that Make Us [Sic]I love talking craft—character development, plot, point of view, pacing, setting, dialogue. But hey, when a reader can’t get into a scene because the grammar is funky, the writer needs to get back to basics.

Grammar. Got to know it. Got to use it right. Stop dangling those participles. Move those misplaced modifiers into place. Find agreement between every subject and verb. On split infinitives and prepositions at the ends of sentences, these days I hear we’re allowed some leeway. In Things that Make Us [Sic]Martha Brockenbrough sets us straight and fills us in on the reasons why such rules were adopted in the first place. Thank you, Martha!

 

 

Get a Grip on your GrammarIf your bugaboo is word choice, check out Get a Grip on Your Grammar by Kris Spisak and change further to farther when talking about measurable physical distances, okay? Continue reading

My Struggle to Write Girl Characters

I’m a girl who struggles to write girl characters, so what’s the deal, huh? I’ve asked this question for a long time, sometimes touching on it in other blog posts. This month I’m hitting it head-on.

I suspect that when I was growing up, if someone had happened to talk about gender identity, I would have tuned in. But in my community, the topic didn’t surface, or if it did, I didn’t hear it. What I remember was this: I wished I’d been born a boy. Now looking back, I think my discomfort wasn’t so much a rejection of my physical body as it was a desire to reject the expectations society put on me because of my physical body.

This month in an effort to understand my writing woes, I’ve tried to channel the girl I was growing up. I remember family members and friends assuming I’d enjoy activities like cooking and shopping, and things like clothes and make-up. But I didn’t. I tried but couldn’t bring myself to care about that stuff. (Still don’t.)

Nether Providence Junior High Girls Basketball circa 1969By 6th grade I was taller than all the boys except three. In 7th grade I tried out for cheerleading and didn’t make it. Chorus and didn’t make it. Basketball and made second string. Or third. Somehow I ended up as team manager, which meant that before each game I’d cut up oranges and put them in clear plastic bags. Continue reading

Winter-writing Summer Scenes

In the two novels I’ve drafted over the past three years, one protagonist is in a place where he doesn’t belong, and the other lives where he very much belongs, but the neighborhood is crumbling around him and he’s powerless to stop it, and neither setting is one I’ve experienced directly.

crepe myrtle in snowBoth stories take place during summer months, but where am I writing? Seated beside a space heater in a book-cluttered office, looking out at the wind-whipped snow. On the January morning I’m drafting this piece, local schools have posted a two-hour delay (a typical response to snow in Richmond, VA; I suppose the thinking is that commuter cars will thaw the ice before children venture out), but in the fictional worlds of my two drafts, my characters are dashing through July thunderstorms.

Continue reading

The Essence of Story

This gem by artist Brian Andreas exemplifies the essence of story. Can you feel the yearning in it? Hear the heartbeat? Imagine sailing away on a memory?(c)2017 brian andreas

That’s a sailboat, right? Or do you see something else? A kite? A fish? Whatever you see, whatever I see—when I read these words, I lean in. I feel a pulse, a purpose, a sense of desire. Continue reading

When a protagonist goes missing…

Evidence of Things Not SeenThis month I read a YA novel that defies literary convention. It’s a mystery, but not a mystery. There’s a protagonist, but he goes missing. Scraps of paper found near the spot where he was last seen refer to particle physics and time travel. Characters hint at one possibility after another, and in the end… no, no, no, I can’t reveal the ending!

When I asked the author to tell me about her writing process, she mentioned a number of people who helped her along the way—a testament to the strength of her writing community. The author is Lindsey Lane, the book is her YA debut, Evidence of Things Not Seen (Farrar Straus Giroux 2014), and today I’m thrilled to feature her on my blog.

A.B. Westrick: Lindsey, I’m so glad I caught up with you to talk about this story.

Lindsey Lane: Thanks for tracking me down!

ABW: I love the way you open this novel with a missing teen. Then you go into a series of vignettes, each with different characters, and the story arrested me. The structure brought to mind Elizabeth Strout‘s Olive Kitteridge, and I wondered if that book influenced you. Could you talk a bit about how you conceived of this story?

LL: Elizabeth Strout?!?! Really? What a huge compliment. But no, no influence whatsoever. Continue reading

Dig Deeply for Truth

Sara Lewis Holmes.Wolf HourLast week I heard author Sara Lewis Holmes talk about school visits, then wondered what I would tell students about the story beneath the novel I’m currently writing. If this book ever gets published, what items might I bring with me when I visit a classroom? What images might I project on a screen? What is my truth behind the characters, setting, and interactions on these pages?

Now, of course it’s crazy to think about school visits before getting a contract on a manuscript, but what I’m really doing at this stage in my process is asking why I’m telling this particular story. Why does it matter to me? Why does my heart break for this protagonist? Why do I care? Continue reading

Eat Your Vegetables: Write a Synopsis

Stuff I Hate to DoWriting a synopsis sits high on my Stuff I Hate To Do list. It’s up there with writing blurbs for book jackets. Bleh. Ask me to craft a scene that draws a reader in, that sets you on the edge of your chair, that makes you feel something, and I’m in. Love the challenge. But don’t ask me to narrow a plot down to the basics and spoil the ending.

Synopses are spoilers. Nobody wants a spoiler, right?

Wrong. Agents want them. Editors want them. All the publishing pros want them. A synopsis tells them who’s who and what’s going down and whether the protagonist manages to get what she wants, and how she thwarts the antagonist, and… yeah. You have to reveal all of it, including the neat twist you thought up for the ending. Spoil away. Continue reading

Writing Outside Your Culture (& Book Giveaway)

One Shadow on the WallWhat a wonderful new book for middle grade readers! Leah Henderson’s debut novel One Shadow on the Wall took me deep into a Senegalese village and the story of Mor, a boy who desperately wants to keep his family together. Even though the setting is foreign (at least, it is for American-born-and-bred-me), the plot is the stuff of human experience: the struggle to stand up to a bully, the desire to prove oneself and make a difference, the love of family and home. It’s such a heartwarming story, I had to catch up with the author for a blog interview!

I met Leah at the 2016 SCBWI Mid-Atlantic conference in northern Virginia, ran into her again at the AWP conference in D.C. in early 2017, and attended her book launch party on June 6th in Richmond where YA author Lamar Giles hosted an insightful Q&A. Too fun!

Now I have a signed copy of One Shadow on the Wall here in my hot little hands, ready to give away to a lucky reader.

A.B. Westrick: Leah, welcome to my blog!

Leah Henderson: Thank you so much for asking me to stop by.

Goodreads Book Giveaway

One Shadow on the Wall by Leah Henderson

One Shadow on the Wall

by Leah Henderson

Giveaway ends August 31, 2017.

See the giveaway details
at Goodreads.

Enter Giveaway

ABW: I’d love for you to share a bit about your journey to write this story. Let’s start with the unique setting, Senegal. You give readers a glimpse into the people and culture of this “land of teranga (hospitality).” I especially loved the way you wove foreign words into the narrative. Jërëjëf (thank you)! In your author’s note, you talk about your travels. Please say more! When did you first journey there, and why Senegal?

LH: I have an insatiable travel bug, and before writing the novel I had been to Senegal only a couple of times. It is a place with a rich history and it had always been on my “Pack a bag” list that is miles long! Read More